New on Disc: 'Major Dundee' on Blu-ray and more …13 May, 2013 By: Mike Clark
Major Dundee (Blu-ray)
Available via www.ScreenArchives.com
Twilight Time, Western, $34.95 Blu-ray, NR.
Stars Charlton Heston, Richard Harris, Jim Hutton, Senta Berger.
1965. Stigmatized for decades as the lost cause that launched (excluding earlier minor skirmishes) Sam Peckinpah’s first all-out war with a producer and/or studio, this partially restored Western epic still remains several rungs down from his greatest achievements, which to my mind number maybe a half-dozen from the director’s frustratingly limited career pool. But with the 14 minutes that Sony’s Grover Crisp and his archival colleagues unearthed and reinstated in 2005, the result comes tantalizingly close to being “good” (and, in certain scenes, better than that), thanks to a strengthened narrative that, even in its improved state, relies more than is cinematically healthy on a voiceover narration. What’s more, these additions flesh out Charlton Heston’s lead performance, which now seems like one of his sturdiest.
If there are elements here of the standard jaw-clenched Heston hero, the actor is nonetheless cast as something of a maverick (Union Army variety) whose past behavior has gotten him relegated to a barren Cavalry post that at times makes the one in John Ford’s Fort Apache look like a bed-and-breakfast. With what appears to be less-than-ironclad orders to do so, Heston/Dundee then takes off on a not-quite-madman’s trek into Mexico to capture a skedaddled Apache adversary whose men have slaughtered several Cavalry colleagues in more brutal fashion than I usually associate with 1965 screens. Because his troops have been so decimated, Dundee is forced to employ some less-than-enthusiastic Confederate prisoners on his mission, one of them a sometimes friendly (and sometimes not) partner in back-and-forth bickering. He’s played by Richard Harris.
The beauty of Twilight Time’s release is its most welcome academic inclusion of both versions, even if the choppy but originally released 122-minute cut (liked by almost no one) is additionally undercut by a Daniele Amfitheatrof score so reviled by Peckinpah and nearly everyone else that even purists didn’t complain all that much when the 2005 revamp commissioned a new and improved replacement by Christopher Caliendo. Blu-ray also does what it can to make presentable “Eastman Color by Pathe” — but oh, what a brown-ish blight that dribbly process was on Columbia product of the mid-1960s.
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Manufactured on demand via online retailers
Sony Pictures, Drama, $20.95 DVD, NR.
Stars William Holden, Sophia Loren, Trevor Howard.
1958. With some dusty release charts and a little historical perspective, one can get a revelatory sense of the pre-release anticipation that must have greeted even movies that are now semi-forgotten. In this case, William Holden, writer Carl Foreman, composer Malcolm Arnold and releasing Columbia Pictures were merely coming off The Bridge on the River Kwai, while director Carol Reed still had remaining (if waning) glory in which to bask, courtesy of The Fallen Idol and The Third Man. Based on a Jan de Hartog novel (Stella) from 1951, The Key is a curiosity with an unusual backdrop: the plight of tugboat captains and crews who lugged Britain’s injured warships back to safety from German bombers in the early days of World War II. The problem with The Key is that the seafaring scenes are arguably more compelling than the main story, though Holden with Sophia Loren would seem to be interesting casting. The Key is worth seeing, but it marks the point where Holden’s career stature started to wane.
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