New on Disc: 'The Films of Rita Hayworth' and more …10 Jan, 2011 By: Mike Clark
The Films of Rita Hayworth
Sony Pictures, $59.95 five-DVD set, NR.
Stars Rita Hayworth, Gene Kelly, Glenn Ford, Stewart Granger.
1944-53. As a World War II pinup icon, Betty Grable was undeniably a cutie, but it’s tough to imagine the heads of servicemen doing 360-degree spins the way they did for Rita Hayworth during her too-abbreviated prime. This five-title box, with newly spiffed-up prints from Martin Scorsese’s Film Foundation, contains three new-to-DVD titles and a pair that were previously released. Better prints are better prints, but be aware going in that the two retreads (color Cover Girl and black-and-white Gilda) are the collection’s high points. Cover Girl (1944) did as much for the career of Gene Kelly as it did for his co-star. For the most part, it’s Hayworth’s picture, if one has to choose, but there is one spectacular Kelly solo in which he dances with “himself” (or his character’s alter ego) that may be even more of a special effects marvel than the dance Kelly would do with animated Jerry Mouse. Tonight and Every Night (1945) is just about Girl’s Technicolor equal, dealing with a London theater that continues performances throughout wartime bombing. Gilda (1946) exploits Hayworth’s signature role for some signature film noir. To enjoy Salome (1953), you have to have a taste for religious epics, though Hayworth still looks fabulous enough to convince as a Biblical figure who probably didn’t have to bankroll her own veils. Miss Sadie Thompson (1953) fared better as previous vehicles for Gloria Swanson and Joan Crawford, but Hayworth has one standout scene: her once-notorious “The Heat Is On” number.
Extras: The presentations include intros by Martin Scorsese, Baz Luhrman and redheaded soul sister Patricia Clarkson.
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Frontline: The Spill
PBS, Documentary, $24.99 DVD, NR.
2010. You can’t buy the caliber of publicity BP got from its Gulf of Mexico oil spill, and this typically taut “Frontline” documentary, which aired on PBS this past October, adds to the negative ballyhoo. It’s one of those chronicles that shows how a major disaster was far from an isolated occurrence in terms of a corporate culture — the kind of look-back that recalls dreadful previous incidents from the past you may have half-forgotten, unless you lived in the geographical area affected. One such incident involves the Texas City, Texas, refinery BP acquired from Amoco in 1999 that already had been regarded as “troubled”: It was built in 1934, there was lots of corrosion and it suffered about a fire a week. The culmination was the biggest industrial accident in decades: an explosion on March 23, 2005, that killed 15 workers and injured 170 others — the result being then-record fines for safety violations numbering into the hundreds and $1 billion paid out to families as long as they signed an agreement to remain silent. The Spill runs an hour with nary a dull moment, though someday, after more perspective, one can imagine its subject getting the full-scale treatment that, say, Spike Lee gave Hurricane Katrina in When the Levees Broke. Certainly, anyone who works for an arrogant employer will empathize with what they see.
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Just Tell Me What You Want
Available via WBshop.com’s Warner Archive
Warner, Comedy, $19.95 DVD, ‘R.’
Stars Ali MacGraw, Alan King, Peter Weller, Myrna Loy.
1980. This brittle romantic comedy has a scene that just about everyone remembers if they know the movie — even if they blank on its title. I’m talking about the set piece where Ali MacGraw attacks Alan King inside and out front of Bergdorf Goodman’s in New York City. By just squeaking in as an ‘80s release, Just Tell Me enabled the great Myrna Loy — who is spottable on screen at least back to films from the mid-1920s — to have been a movie presence in seven different decades. She’s wonderful here in her final big-screen feature, so if your taste doesn’t run to department store slugfests, Loy is a reason to see it as well.
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